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Romantic moments & that scene in Deathly Hallows v.2
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#2
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Re: Romantic moments & that scene in Deathly Hallows v.2
I think the moment in the movie is something that could potentially happen between friends of the opposite sex. Sometimes friends address it, and sometimes they ignore it. I thought the moment was a bit surprising, but well-written and acted, especially Emma's peformance. It was also the first time I saw Daniel in more of a "he's a grown man" point of view. Definitely a scene that will stay in my memory.
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#3
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Re: Romantic moments & that scene in Deathly Hallows v.2
What do you think the most romantic scene in DH1 and 2 is?
(Defining "romantic" as displaying or expressing love or strong affection) I still come back to the wedding and the piano scene from DH1. The way Ron looks at her, to me, is perfect.
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#4
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Re: Romantic moments & that scene in Deathly Hallows v.2
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I don't really remember much romantic content to either film, to be honest. I thought HBP had a lot more of that stuff. Hermione of course had the great stricken expression in the Three Broomsticks (after Ron makes the comment about the butterbeer head still on her upper lip). And her sidelong glance--just a split second!--after she thinks she's said too much ("I've always found him interesting") is exquisitely done. I mean to say, it's so ingrained in her to tell the truth, to argue the truth, and now she's almost undone by it. (Saved by Ron rousing himself slightly!) What else? Oh--I know most people thought it was hogwash, but I liked the shoelace scene. Yes, it's awkward, but in my opinion, it fits there. These two people are going to be awkward; they're inexperienced, and they don't know how to communicate it, so they deflect. Ergo, shoelace. I thought it was cute. But DH1/2? There were a couple of moments, but they were more action moments with an overtone of romance than anything else. If they'd kept in the scene with Harry walking down with the rest of the students after coming into the Room of Requirement, that would've been something. But I understand why they ditched it (to make Harry's sudden appearance at Snape's assembly all the more startling). In the Pensieve, there's young Snape's longing glance at Lily as she walks over to the Gryffindor table. Haunting enough that some people have put it into their siggies. And oh yes, Rickman's delivery of "No one can know," with that little lurch and bow of the head just before, as if he's having trouble getting the line out--that's really well done. As long as I'm talking about this film, I might as well mention a postscript (or, I guess, it's a prescript) on the scene in question. When Ron says, "I saw you two the other night," Hermione doesn't say, "Huh?!" or "What are you talking about?" or anything like that. She says, "That...that was nothing." Which convinces me that for the purposes of the film, for Hermione at least, it wasn't nothing. And the dance confirms that, in my opinion. Of course, it's wholly absent from the book, but it was an interesting departure by the filmmakers.
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#5
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Re: Romantic moments & that scene in Deathly Hallows v.2
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and the way Ron was always looking out for her and protecting her too.One of my favourite romantic moments is the Harry/Ginny kiss in part 2. I'm so glad they gave Harry and Ginny another kiss and I actually think they did a really good job with it and re-watching it on the DVD has made me appreciate that scene more. It was just perfect in the situation the two characters were in, knowing they might not see each other again ![]() |
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#6
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Re: Romantic moments & that scene in Deathly Hallows v.2
I've never understood why some fans had such a problem with the scene between Dan and Emma or why it had to be so controversial in the first place. Honestly, what is the big deal? Even if the filmmakers were trying to promote Harry/Hermione I still wouldn't see a problem. They play with the possibility something that even Rowling accepted that there was. That's what I think the movie does. They did make H/G and R/Hr canon so what is the problem? I thought it was nice to see Harry showing some empathy towards Hermione instead of ignoring her and leaving her to cry herself to sleep as he does in the books. It didn't make me raise my eyebrows (of course I'm not much into shipping so that's probably a factor but still).
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#7
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Re: Romantic moments & that scene in Deathly Hallows v.2
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#8
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Re: Romantic moments & that scene in Deathly Hallows v.2
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To me, that scene could have worked if they had danced, been silly, tried to lighten the mood and then at the end when they sort of start slow dancing, have Hermione become overcome with emotion (presumably at missing Ron) and just walk away without sharing that "longing look" with Harry. OR at the end when they start slow dancing have Harry say something about Ron coming back or not coming back or how he misses him too and generally spoil the moment with regards to the elephant in the room (the elephant being Ron's absence) and Hermione becoming overcome with emotion and walking off. THEN I wouldn't have an issue with it. I also would say that I never got the impression from canon that JKR was hinting that Harry and Hermione might have gotten together or was trying to put them together. I always had the impression that Hermione was in Ron's camp now and forever and Harry would never do anything to get between them even if Ron never came back in DH.
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#9
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Re: Romantic moments & that scene in Deathly Hallows v.2
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I think the biggest thing this scene did was discredit Harry's future statement to Ron about how he loves Hermione like a sister. Funny how the films actually sort of validated Ron's insecurity, instead of presenting it as unfounded (which it was in the books). Quote:
And it didn't just deviate from canon, it did a complete 180. It was emphasized pretty strongly in DH, I think, that Ron's absence drove Harry and Hermione apart. That scene showed them considering deepening the relationship with each other.
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- Hermione's Secret, Harry Potter and the Prisoner of Azkaban |
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#10
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Re: Romantic moments & that scene in Deathly Hallows v.2
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#11
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Re: Romantic moments & that scene in Deathly Hallows v.2
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Ron was hugely insecure and part of that insecurity came from having Famous Harry Potter as a best friend and feeling "not good enough" for the girl he loves. Combine these and you get Ron being suspicious of Harry and Hermione's relationship, ideas which would have been brewing in his horcrux-laden mind and without that horcrux and thoughts such as these roaming through his head Ron never would have left. Hermione is so upset by his leaving that neither she nor Harry say his name for weeks on end, referring, instead, to "Ginny's aunt" and thereby not giving Ron a way back to them until the right moment in the plot, weeks later when the pain of his abandonment has faded and they finally start saying his name again he can come back to them, but only when it's important for the plot that he does so; no Ron saving the day means Harry drowns in that lake... ![]() Harry says that he thinks Ron should be the one to destroy the locket horcrux and they open it and it begins spewing insults and degrading things at Ron but it isn't until Horcrux Hermione kisses Horcrux Harry that Ron gets up the passion he needs to destroy the locket. (Consequently, if Ron hadn't have left in the first place and been kept away for extended periods of time by Harry and Hermione refusing to say his name and give him a way back we wouldn't know about Potterwatch, we wouldn't have learned about the snatchers, Ron might not have had the idea to send the prisoners in the Malfoy's basement to Shell Cottage where he, himself, hid out during that time, the trio wouldn't have had a safe place to plan their heist on Gringotts, the whole Gringotts fiasco never would have taken place because Griphook might have died of his injuries or been sent to a reputable institution for treatment and rehabilitation...) The R/Hr relationship might not have been a major factor in the books up until DH but without that groundwork being laid for the reader we would not have bought into these moments where that relationship does play a pivotal role in books.
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#12
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Re: Romantic moments & that scene in Deathly Hallows v.2
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There's also the factor of the actors themselves, who've read the books. No matter what the director intended, or thought they caught on film (they were looking for it, kind of like Ron), it doesn't seem to me that any romantic intent comes across at all. The look from Harry at the end of the dance isn't a longing in a romantic sense -- it's Harry wishing he could do something to help Hermione out of her misery, but he realizes it's something he can fix.
__________________
![]() People assume that time is a strict progression of cause to effect, but actually from a non-linear, non-subjective viewpoint, it's more like a big ball of wibbly-wobbly, timey-wimey stuff... ....I miss David Tennant.... |
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#13
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Re: Romantic moments & that scene in Deathly Hallows v.2
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#14
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Re: Romantic moments & that scene in Deathly Hallows v.2
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I very much agree with and appreciate your post, Sereena. I also think the film makers just couldn't not explore the idea to some degree. And why not. With all the threads that question the realism of the sexuality in the series, and then just lose it over this. |
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#15
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Re: Romantic moments & that scene in Deathly Hallows v.2
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Maybe because the film makers totally lost the plot on the CANON relationship that was Harry/Ginny. ![]() How dare they waste valuable film time on such a pathetic and out of character scene that was completely the opposite of what happened in the book! ![]() I will NEVER forgive them for what they did to my favourite couple and how all their scenes were either dropped or mutilated, while their "golden couple" (H/Hr, so excuse me while I throw up), get stupid uncanon scenes like this! ![]() |
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#16
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Re: Romantic moments & that scene in Deathly Hallows v.2
The scene doesn't really bother me. To me the movies are just interpretations of the books, JKR has approved them and in the future remakes will be made with different interpretations. Naturally everyone has a right to disagree with the interpretation of the director/writers.
For those loving Ron/Hermione the books are probably more valuable. I don't think there is any real need to abuse those responsible for the movies in very direct terms.
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#17
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Re: Romantic moments & that scene in Deathly Hallows v.2
Getting away from DH and dancing, I'm probably the only person who loved Harry and Ginny's kiss in HBP. Harry sort of tiptoed around his feelings but Ginny went straight ahead. If it hadn't been for the attack on the Burrow I think the kiss might have been after the shoelace being tied. It's easy to forget how first kisses are so hard to get right, the place, the time and does the other person feel the same. So yes, I loved the HBP kiss.
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#18
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Re: Romantic moments & that scene in Deathly Hallows v.2
[staff edit]
Originally posted by Hes Quote:
From the moment I read HBP, I imagined that passionate, "Several sunlit days" kiss on the screen. When it didn't eventuate I was mad and disappointed! With this in mind, I think I have every right to vent my frustration at the movie-makers who ruined my most favourite moment in the whole series! ![]() Last edited by Hes; May 14th, 2012 at 2:06 pm. |
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#19
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Re: Romantic moments & that scene in Deathly Hallows v.2
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I feel like with the movies we can approach critiquing content in two ways: 1) was what they gave us canon? 2) if it wasn't canon, did it serve the story or plot in a more cinematically successful way than strict canon interpretation could have? With the dance scene, since it wasn't canon it can only be critiqued according to the second method: Was the dance scene cinematically appropriate? Yes; it was attempting to convey emotion through action and without the cheesy intrusiveness of a voice over of either character's thoughts. Did it serve the story or plot? To me, not really. I felt like it was injected into the film for the sole purpose of giving us that "will they or won't they?" moment. For me, the dance scene was gratuitous and the ideas of that scene (conveying Hermione's heart ache, Harry's lack of motivation and their growing distance) would have been more successful in a scene that simultaneously kept the plot moving forward. I feel like those moments could have been woven into other scenes or a montage of scenes or something and been more successful. Would a more strict adherence to canon to convey the necessary emotions of that moment have been more successful? I don't think so. I do think simply filming what happened in the book in this moment would have been incredibly boring; fiction and films are two different media and the story has to be changed in some ways in order to say the same thing on page and on screen. While I don't mind that things in the movies deviated from canon what I do mind is when the intent or spirit of the source materials is changed or blatantly disregarded so that the film can pander to a specific audience (H/Hr shippers). The best example I can think of off the top of my head is the book/film adaptation of The General's Daughter by Nelson DeMille; a lot was changed from the book in order to make the story into a successful movie but the movie was only successful because they stayed true to the spirit and intent of the author's book. Characterizations stayed the same in both mediums, motivations stayed the same, the the basics stages of the plot stayed the same; what changed were either details or plot points that could be lost in order to streamline a 500-page book into a 120-minute long movie. The HP series book to movie adaptation changed whole characterizations which, by extention, changed character motivations and important plot points were left out in early movies so they had to be jerry-rigged into later ones and therefore never felt quite right. Part of the issue with the movies is that their popularity grew to such a huge ferver that movie makers couldn't wait to get their money-hungry hands in the HP cookie jar and they began filming the series before they knew the end of it and, consequently, screwed things up because of that. So what you get are movies that tell the same story as the books but with characters who pale in comparison to their book-selves in every way. The dance scene in the movies didn't fit to me, neither in the context of the book-story with book-characters or in the film-story with film-characters. It stopped the forward movement of the plot so we could take time out and watch an interaction we know isn't going to go anywhere, it felt like filler material and if that scene were completely taken out of the theatrical release I am 90% sure absolutely no one would have missed it.
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#20
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Re: Romantic moments & that scene in Deathly Hallows v.2
First off GoddessClio let me just say that I agree with what you said about Ron's insecurity and how the dance might have conveyed the message that his insecurities might not have been completely unfounded. However, I think the movies did do justice to Ron's character as much as they could have. His argument with Harry in Gof is brought up in the movie as well. He does destroy the Horcrux in DH and the Horcrux does show him Harry and Hermione together. So I would say his insecurities were dealt with. I understand why someone would want that to have been done in a better way but let's not forget that the movies basically slaughtered all characters. Snape gets some back story, Dumbledore not so much, Voldemort does since it's a such a huge part of HBP that they couldn't leave it but otherwise I'm sure they would have. Neville and Luna get some development but much less than in the books. We don't find out anything about Molly's fears IIRC and I will not even get in to what they did to Bellatrix and Narcissa (oh and Sirius calling Harry James and all that awkwardness as well). When considering all this I think the dance scene is merely a drop in the ocean. The movies did ruin a lot, not just the ships but characterization, plot points as well as offered half baked explanations to plot points and so on. It's unavoidable that things like this would happen so I'm not blaming the filmmakers. Books lose a great deal when turned into movies.
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